Yes Please

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In the meantime, the members of the band had taken advantage of their fame and fortune, living lives of decadence and excess. Lead singer Shaun Ryder, in particular, was notorious for his Caligula-esque antics, such as hosting four-day parties featuring sex shows and dwarfs. Meanwhile, he took so many drugs he made the Gallagher brothers look like teetotalers. Things were spiraling out of control by the time the Mondays began recording what would be their fourth album, 1992’s Yes Please! Indeed, the entire story behind Yes Please! and its aftermath would make for a fascinating documentary – kind of like how Final Cut was more positively received than Heaven’s Gate. We’ve just seen your amazing exhibition at salford gallery and were blown away by the art work we particularly like the cat with big ears, the tulips and the kids doing stuff and animals!!! Having always been fans of the Monday’s and the accompanying art work we were chuffed to find ourselves in Manchester this weekend when we read the article in the guardian.” Four albums. Three you could call classic and one near miss. It’s odd as there is a weird symmetry between Happy Mondays and their fellow lauded Mancs The Smiths when it comes to their recorded output. You have the promising debut, the leap-forward cult classic follow up, the celebrated third and the could-have-been-great fourth. Yet you only seem to see think pieces or coloumn inches covering Moz and co with not as much coverage on the Mondays’ first life which is a shame as personally I feel the Mondays are more vital in understanding our recent past and especially our present where club culture is massive and dance music has become the biggest form of music there is. And I’ve just asked Maria and her favourite is ‘Beach Fish Boat’ (below), Mariasays –‘More Stand Out’

A fictionalised depiction of the band is featured in the 2002 film 24 Hour Party People, with Danny Cunningham as Shaun Ryder and Paul Popplewell as Paul Ryder. Paul Ryder himself had a cameo role in the film as a gangster and Rowetta appeared in the film as herself. [18] Third incarnation [ edit ] He didn’t rejoin for another reunion in 2004, but returned in 2012 when the original members reformed – the group continued to tour until the present day. Despite relationships between Happy Mondays members straining, Ryder told McGough they had written enough material for another album. [16] The band and Factory Records wanted to enlist Oakenfold and Osborne for their next album, but the pair was fully booked until June 1992 at the earliest. [17] Concerned that they could not wait that long, McGough and Wilson decided to look for other producers. [18] Paul Ryder was listening to Conscious Party (1988) by Ziggy Marley and the Melody Makers, learning that it was produced by Talking Heads and Tom Tom Club members Chris Frantz and Tina Weymouth, and thought they would be ideal producers for Happy Mondays' next album. [19] Around the same time, the band had a new booking agent, Ian Flooks, who also worked with Frantz and Weymouth. When Flooks caught wind that the band were looking for producers, he suggested the pair. [20]

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Happy Mondays performed before another re-formed act, Rage Against the Machine, at the 2007 Coachella Music Festival in Indio, California. They were introduced by Tony Wilson. Bez missed the show because he could not get into the US due to "passport issues". [23] The band then toured throughout the summer of 2007 including a trip to the Numusic Festival in Norway. They played Splendour in the Grass in Australia in July 2009, and the UK V Festival in August 2009. Wills, Dominic; Sheehan, Tom (1999). The Charlatans: The Authorised History. London: Virgin Books. ISBN 0-7535-0194-5. First inspired by Motown artists, Ryder was then drawn to the Chicago house music of the 1980s, saying that his bass lines were “me trying to replicate that style but using a real instrument rather than a computer”.

Happy Mondays Chart History (Alternative Airplay)". Billboard. Archived from the original on 10 October 2021 . Retrieved 10 October 2021. Indeed it is, must be rewarding to recieve such reactions to the artwork. So which would you say are your stand out pieces from the exibition?

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Robb, John (2009). The North Will Rise Again: Manchester Music City 1976-1996. London: Aurum Press. p.261. That’s great, and the fact she recognises herself as an artist too is fantastic . How about the paintings that have stood out in the ‘Up’s & Down’s’ exhibition so far, and why would you maybe say that is? Brod, Doug; Krugman, Michael. "Happy Mondays". Trouser Press. Archived from the original on 3 December 2020 . Retrieved 27 September 2021. Ryder, Shaun (2012). Twisting My Melon: The Autobiography. London: Corgi Books. ISBN 978-0-552-16547-1.