In The White Room

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It was during one of these hunts that Mr Whitworth, from Wakefield in Yorkshire, and his wife believe they may have grabbed hold of an original Banksy in the Baltic Triangle.

Hochman, Steve (11 August 1991). "The KLF 'The White Room' Arista". Los Angeles Times . Retrieved 16 November 2015. Mixed at Lillie Yard except A1 mixed at The Townhouse, London and A3 mixed at The Manor, Oxfordshire. The White Room is the fourth and final studio album by British electronic music group The KLF, released on 3 March 1991. The album features versions of the band's hit singles, including " What Time Is Love?", " 3 a.m. Eternal", and " Last Train to Trancentral".He said: “Me and my wife were outside Constellations on Wednesday lunchtime and we were looking for things. There was a load of plywood leant against a wall and my wife pulled one out and we saw it had this artwork on it. Meanwhile, the KLF's single " What Time Is Love?", which had originally been released in 1988 and largely ignored by the public, was generating acclaim within the underground clubs of continental Europe; according to KLF Communications, "The KLF were being feted by all the 'right' DJs". [3] This prompted Drummond and Cauty to pursue the acid house tone of their "Pure Trance" series. A further "Pure Trance" release, " Last Train to Trancentral", followed. Mr Whitworth said he had to mention it, adding: “I just told Jimmy what I had found and that I thought it could be a real Banksy - he just smiled and said ‘that’s very, very interesting’”. Capping their year of extraordinary success at the BRIT Awards, they saw the ceremony as the ideal location to carry out one last act of rebellion and announce their retirement from the music industry. After performing a raucous version of 3 A.M. Eternal with crusty punks Extreme Noise Terror, they began firing blanks from a machine gun at the stunned industry crowd.

a b George, Iestyn (March 1991). "The KLF: The White Room". Q. No.54 . Retrieved 4 March 2020. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/206 Now a music fan has come forward with what he believes is more evidence that Banksy was in the city at some point last week. a b "The White Room - Information Sheet Eight". KLF Communications. August 1990. Archived (via the Library of Mu) on 5 October 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/508 Mellor, Christopher (February 1989). "Beam Me Up, Scotty – How to have a number one (The JAMs way)". Offbeat. Archived (via the Library of Mu) on 24 August 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/94

a b Christgau, Robert (30 July 1991). "Consumer Guide". The Village Voice . Retrieved 16 November 2015. Cauty, Cressida (August 1989). "KLF Info Sheet 6". KLF Communications. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/506

a b Beaumont-Thomas, Ben (1 January 2021). "The KLF reissue music for first time since 1992". The Guardian . Retrieved 2 January 2021.This affirmation in what they were doing continued with the eventual release of The White Room in March 1991. Entering the charts at No.3, it remained in the rundown for almost a year, no doubt bolstered by the further hit singles Last Train To Trancentral (Live at SSL) followed by two songs that were radically remixed for release as singles – Justified & Ancient (Stand By The JAMs), featuring Tammy Wynette and America: What Time Is Love?, both of which were Top 10 hits. a b Fox, Marisa (9 August 1991). "The White Room". Entertainment Weekly . Retrieved 23 August 2009. The theory that world famous street artist Banksy was in Liverpool last week has gathered strength - after another work in his iconic style was found in the city. The KLF: Enigmatic Dance Duo". Record Collector. 1 April 1991. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/226

John Whitworth was one of 400 special guests who were in the city last week for a highly unusual book launch event being held by enigmatic electronic band the Justified Ancients of Mu Mu - also known as the KLF. Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room cover

The crowd noise (itself a sample taken from U2’s Rattle & Hum to convey the false impression of being a live album) dissipates to welcome a soaring vocal from Maxine Harvey which itself gives way to pounding beats, squelching synths and a saxophone solo from Duy Khiem – all hallmarks of the classic acid house sound. Cinquemani, Sal (2 November 2002). "Review: The KLF, The White Room". Slant Magazine . Retrieved 16 November 2015. It also has the single mix of 'Last Train To Trancentral' instead of the mellower UK album version, edits 'No More Tears' down from 9:24 to 6:42, and adds a little more wind noise at the end of the closing 'Justified And Ancient'. ARIA Charts – Accreditations – 1991 Albums" (PDF). Australian Recording Industry Association . Retrieved 27 November 2021.